Though there are many aspects of the novel that I found to be fascinating, the relationship between the characters Carmilla and Laura was what I found to be the most intriguing. I have to say that I was quite surprised by the relationship between the two characters, especially when you take into account the fact that Le Fanu’s novel was not published until 1872. I did not believe that such open allusions to homosexuality, if any, were made in literature at that time. To be honest when Le Fanu first began to describe the two characters relationship I thought that I was imagining the less than innocent infatuation the two characters had with each other. However, it soon became clear that I was in fact not hallucinating and that Carmilla’s open displays of affection for Laura bordered on lesbianism. “Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure…It was like the ardour of a lover… and her hot lips travelled along my cheek in kisses; and she would whisper, almost in sobs, “You are mine, you shall be mine, you and I are one for ever.” (Ch. 4)
Though the feelings were not returned as affectionately by Laura, her vivid accounts of her dreams were more sexually charged that anything else in the story. “Certain vague and strange sensations visited me in my sleep…they left an awful impression, and a sense of exhaustion, as if I had passed through a long period of great mental exertion and danger... Sometimes there came a sensation as if a hand was drawn softly along my cheek and neck. Sometimes it was as if warm lips kissed me, and longer and more lovingly as they reached my throat, but there the caress fixed itself. My heart beat: faster, my breathing rose and fell rapidly and full drawn; a sobbing, that rose into a sense of strangulation, and turned into a dreadful convulsion, in which my senses me and I became unconscious.” (Ch. 7)
While Carmilla’s displays of affection were sensual, Laura’s feelings for Carmilla were of an entirely different nature. “I felt rather unaccountably towards the beautiful stranger. I did feel, as she said, 'drawn towards her', but there was also something of repulsion. In this feeling, however, the sense of attraction immensely prevailed.” (Ch. 3) Carmilla’s supernatural hold on Laura was not quite strong enough to deter Laura’s own doubt as to Carmilla's insanity and to her motives. Having said that, Carmilla did still possess great power over Laura and in doing so was able to constantly draw Laura to her, resulting in Laura’s feelings toward Carmilla to be continually conflicting throughout the story. “I experienced a strange tumultuous excitement that was pleasurable, ever and anon, mingled with a vague sense of fear and disgust. I had no distinct thoughts about her while such scenes lasted, but I was conscious of a love growing into adoration, and also of abhorrence.” (Ch. 4)
While the relationship between Laura and Carmilla does seem to be romantic, I do not believe that it was so much the intention of the author to portray a lesbian couple, as it was to portray Carmilla’s supernatural seduction of her victim Laura. Although Carmilla did show blatant sexual advances toward Laura in her conscious and even unconscious state, and made professions of love toward Laura numerous times, I cannot help but think that her motives for such actions were solely for the acquisition of Laura’s blood. It was clear from the beginning that Carmilla was not in the her full strength and I believe it is why she pursued Laura in the manner in which she did, instead of taking her at once and bleeding her dry as vampires are known to do. Similarly, it is obvious that Laura’s feelings for Carmilla were a direct effect of her supernatural seduction and in her own mind she was actually repulsed by Carmilla and her advances.
It seemed that although the story was not set in Ireland, rather a place in Austria, the devastation that the vampires brought upon Styria was reflective of the effects of the famine that was plaguing Ireland at the time. Allusions to this can be seen in the meek population of Styria, “I have said 'the nearest inhabited village', because there is, only three miles westward… a ruined village...Respecting the cause of the desertion of this striking and melancholy spot, there is a legend which I shall relate to you another time.” (Ch. 1)
Another aspect of the novel that I found interesting was the role of the men in the story. I don’t know if it was just me, but I found the men in the story to be very emasculated. They all seemed to share a very submissive quality, always following the orders of the women, which I found to be very strange, like the theme of homosexuality, for the time in which the novel was written. What do you guys think; did you find the roles of the males and females were switched in the novel?
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Fay,
ReplyDeleteI was also quite surprised at the use of homosexuality in this novel, because though I knew of course it had existed since like the Greeks, I wasn’t used to reading novels from this era that focused so much on it. While reading the first few chapters I had a feeling that something was off about their relationship (Laura and Carmilla) because it just didn’t seem like a normal friendship to me. I liked the quote you pointed out, ““… my strange and beautiful companion would take my hand and hold it with a fond pressure…It was like the ardour of a lover… and her hot lips travelled along my cheek in kisses; and she would whisper, almost in sobs, “You are mine, you shall be mine, you and I are one for ever.” The balance of their affection seems interesting to me. Laura needed and wanted a friend like her so badly and when Carmilla showed up it was “friendship at first sight” whereas for Carmilla is was something more. Carmilla also wanted someone so badly but obviously for a different reason than just innocent friendship.
I can also draw the relation between Ireland and Austria and the devastation of the vampires being related to the devastation from the Irish famine. While reading the story I thought that the ruined village was more of a metaphor for the ‘emigration’ of Ireland’s people (a lot of the population) and leaving behind a deserted history of Ireland. But your point comparing the overtaking of Ireland by vampires with the ruined village works too—better than my original thought.
Hi Fay,
ReplyDeleteI also found the relationship between Carmilla and Laura very intriguing to read. You mentioned that Carmilla openly displays her affection for Laura but at first it seems that Laura doesn’t return the same feelings. However, later on we learn that she does have feelings but she tends to hide them. Laura can’t seem to describe her attraction towards Carmilla. It is almost as if she is cast under a spell and is drawn towards her.
You said in your blog, “Carmilla did still possess great power over Laura and in doing so was able to constantly draw Laura to her, resulting in Laura’s feelings toward Carmilla to be continually conflicting throughout the story.” I think this is a great analysis! You should read Ann’s blog she also made a similar comparison towards the nature of Carmilla and Laura’s relationship. Ann suggested that the seductive and empowering nature of Carmilla towards Laura corresponds with the relationship between Ireland and Great Britain. Here is a quote from Ann’s blog
“The idea that Carmilla’s vampire-flavored villain could be symbolically representative of one of the battling factors in Ireland’s political saga is interesting. I suppose Carmilla, as the urgent and seductive lover promising care and security while intending selfish gratification no matter the cost, could be read as an embodiment of the British presence in Ireland’s government.”
I believe that there is a lot of symbolism in the relationship between Carmilla and Laura. I also like that you related the devastation of the vampires brought upon Styria as reflective of the Irish Famine. I also made the same comparison.
I didn’t really pay attention to the roles of men within the story. However, now that you mention it, you’re right the men do seem to have a submissive quality within the novel. I wonder what sort of symbolism Le Fanu is trying to portray with that…
I agree with you on the female/male roles in this story. There were a few other blogs that go into further detail on that subject and I found them all to be interesting perspectives, and I have to say I hadn't thought of it until I read them. Now that it's been pointed out though, I can't see how I missed it!
ReplyDeleteAside from the fact that the main characters were all female, even the small presence of male influence reinforces the switched gender dominance, which seems so strange for the times. The only dynamic characters we are introduced to that are male are Laura's father and General Spielsdorf. Both of these men's lives seemed to be completely wrapped around the young ladies in them. Laura's father, being a widower, is entirely devoted to his daughter and leaves all harsh parenting to the nanny:
"My gouvernantes had just so much control over me as you might conjecture such sage persons would have in the case of a rather spoiled girl, whose only parent allowed her pretty nearly her own way in everything."
General Spielsdorf was very much the same character, except with his niece Bertha, rather than Laura. Even though Bertha is not his daughter, he treats her as though she is and devotes his whole life to her, even after her death when he commits himself to ridding the world of her murderer.
The soft and nurturing role these two men play is not only strange for their time, but also odd considering they are both former Austrian soldiers- supposedly men of great power and respect.
Another character to consider that reinforces the female dominance, aside from the obvious Carmilla, is her supposed "mother". This woman is able to show up out of nowhere, a virtual stranger and convince both men to take on the care of her "daughter". Beyond that, she convinces them that she has to be discreet and they do not push the issue when she won't disclose any basic information.
I love that you brought up the subtle role reversal within Carmilla. I hadn't really thought about it until reading your post. But another way of looking at it, in many stories, women are protrayed as the temptress/suducer and not always in a sensual light but rather a negative one that lures men into doing evil things, take Adam and Eve, even in Beowulf for example. It could be taken both ways then I guess, some might argue that it was very forward thinking and open-minded to have a female-female relationship but it could also be looked at as another negative portrayal stereotyping women.
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